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"Lester
Johnson of Detroit, excels in his pursuit of
achieving maximum visual effects with minimal means
and a deceptively simple concept. In one of his
works, tiny cone-shaped wads of colorfully
patterned fabric protrude evenly from the surface
of a small piece of peg-board painted white. These
protrusions of fabric cast shadows that read like
gray brush strokes on the white
support."
Christopher
R. Young
Flint Journal
"This is a
show of reflection. The fine craftsmanship of the
work reflects the artist's talent and skill; the
subjects reflect Afro-American culture; and perhaps
most importantly, the pieces reflect an awareness
of places and cultures beyond our own."
Martha
Lattie
Flint Journal
"The
brilliant colors set off by black belong to Lester
Johnson and nobody else."
Joy
Hakanson Colby
Detroit News
"If Johnson
were a musician he would never have played Wings
Stadium, but he might well have jammed with
Coltrane."
Mark Maher
~
Kalamazoo Gazette
"Collage has
been the bedrock of 20th century abstraction.
Collaging fugitive materials and abstraction places
Lester on the cutting edge of those questions
confronting the 21st century."
Al
Loving
"He stands
firm with self control. One exhilirating feature
about him is his expressive eyes, set in pensive
thought, yet radiating a creativity which only his
fingers can capture on canvas."
Gerri
Johnson
Michigan Chronicle
"Johnson is
an exuberant and lyrical colorist. His abstract use
of colors and constant reliance on music invokes
Wassily Kandinsky's poetic artist's statement of
1911: Generally speaking, color directly influences
the soul. Color is the keyboard, the eyes are the
hammers, the soul is the piano with many strings.
The artist is the hand that plays, touching one key
or another purposely, to cause vibration in the
soul."
Christopher
R. Young
Flint Journal
". . . but
the man with his hands on the art pulse, the ethnic
pulse, at the moment, is Lester Johnson. His
sculpture made of poles wrapped with fiber and
raffia and hung loosely from the ceiling are totems
befitting a tribal prince."
Marsha
Miro
Detroit Free Press
"Lester
Johnson of Detroit, who had a glorious one-person
exhibit at GFAC (Greater Flint Arts Council) in
December, is a consummate serious artist with nary
a peer in this exhibit. A significantly gifted
talent, Johnson has through the pressure of years
of hard work, refined his art to the highest
level"
Christopher
R. Young
Flint Journal
"Lester's
tubular totems are certainly beautiful. They are
also somewhat mysterious. . ."
Gilbert B.
Silverman
Collector
"Johnson's
sculptural, mixed media works are geometrically
precise, made with abstract collage elements that
knit together past and present cultures with
dazzling color. Often reflecting the vibrations of
the universe, his works emerge as spontaneous,
richly detailed creations that are as touchingly
individual as they are profound.
His body of
work spans several decades, and largely pays homage
to the artistry of contemporary jazz musicians . .
. most notably the late Miles Davis. Reflecting the
sound of sophisticated jazz, Johnson's work shifts
between tones and design, using the bold semantics
of color to mimic the sound of instruments
interacting, locking and unlocking in an exchange
of ideas.
Uncompromisingly
independent, Johnson has spent much of his creative
life in confident isolation. His African and Native
American spiritual heritage has attuned him to
creating powerful, grand scale totems that are
brilliantly colored and high-spirited . . . making
for a crosscultural exchange of energy and
vision."
Sakkara
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